Tag: Filmmaker

  • Q&A: Florence Pelletier & Caroline Côté

    Q&A: Florence Pelletier & Caroline Côté

    Florence Pelletier & Caroline Côté co-directed 2021 WMFF feature “Passages.” The story of three women from the North to the South of Quebec embark on a multi-sport expedition following the Koroc river in Nunavik. We asked them a few questions, see our Q&A conversation below:

    What is in your gear bag/kit?

    We shot ”Passages” with the Sony FS7 Mark II, so we made no concession in term of camera weight, despite the fact that we had to carry all our equipment on our back during the expedition. We chose a Zeiss distagon 28 mm f/2 to have the protagonists as a center of the film and always keep that proximity with them. No drones or go pro for us, we wanted to distance our aesthetic from what we usually see in adventure films, with super wide and saturated images.

    What item can you not live without?

    Multiples hard drives and memory cards. I am a freak about backing up the footage we get during filming that happen in the outdoors as I am so scared of loosing the shots!

    How do you choose music for your films?

    I choose to work with composers that understand the tone we want to set for the film. Ilyaa Ghafouri did an amazing job at creating this electroacoustic touching and invested score for ”Passages”.

    Most necessary character-quality for a director?

    To be open-minded and to be a good team player.

    Who has been most influential in your directing career?

    Dardenne brothers and Jean-Marc Vallée.

    Favorite on-set memory?

    Since the filming of ”Passages” was done during an autonomous expedition, we were only eating dry food for 20 days. On day 14, Katrena and Christine, two of our protagonists, caught arctic chars in the Koroc river. It felt like Christmas, and that night we had a feast with the fish they shared with the team.

    Craziest on-set/en route to set adventure?

    I have seen my first black bear on day 1 of filming. It was both scary and exciting to live this moment only few hours after a small charter plane dropped us in Kuururjuaq national park in Nothern Quebec, Canada.

    More About Florence Pelletier

    Since 2011, Florence Pelletier has had the chance to write and direct several short films and documentaries that have appeared at festivals in Québec and overseas. In 2013, alongside Juliette Gosselin, Florence co-directed the fiction short film MES ANGES À TÊTE NOIRE, which won the Horizon Award at Sundance Film Festival. In 2014, Florence’s short drama BROMANCE was presented at AirCanada Enroute Festival. Later that year, her short comedy FONDUE CHINOISE brought home ‘Jury Prize’ at the Montreal World Film Festival.

    Together with her trail-running partner Caroline Côté, Florence co-directed two short documentaries in 2017. L’AFFRONT DES CIMES tells the story of a Canadian alpinist returning to the mountains after the loss of her close friend during a storm on the peak of Mount Rainier. QAMANIQ follows an all-women trail-running expedition in Nunavik.
    TRAVERSÉES is their first feature length documentary.

    Caroline Côté is an adventure filmmaker specialized in filming in distant or extreme conditions. She has taken part and documented four major expeditions (XP Antarctik, Pull of the North, Qamaniq, and ÉlectrON), some in as-yet-unexplored regions of the globe, enjoying complete autonomy.
    From Antarctica to Yukon, through Alaska and Northern Québec, she returns with tales about nature conservation and learning how to surpass oneself. Caroline is also an ultramarathon runner who loves running in high altitude (85 km, 125 km, or 160 km). Caroline Côté is one of Québec’s great ambassadors in the field of adventure documentary filmmaking, and is well-respected world-wide.

  • Q&A: Bachar Khattar

    Q&A: Bachar Khattar

    Bachar Khattar directed 2021 WMFF features “Confessions of a Runner” A blend of eye-popping scenery, extreme human achievement, and revealing personal stories, Confessions of a Runner features Patrick Vaughan, an accomplished trail runner as he shares his story of healing and redemption while pursuing the record for completing the 470-kilometre Lebanon Mountain Trail, traversing from Syria to the Israeli border. We asked him a few questions, see our Q&A conversation below:

    What is in your gear bag/kit?

    Sony a7s , Fs7, zoom, mics

    What item can you not live without?

     

    Sound recorder

    Most necessary character-quality for a director?

    Listens

    Who has been most influential in your directing career?

     

    Muriel Aboulrouss

    More About Bachar Khattar

    Bachar Khattar, Director, was born in Lebanon, and grew up in Beirut, obtaining a degree in Audiovisual Studies in 2008 from Saint Joseph University. His first short film won the Best Short Film Award in Lebanon at the Notre Dame University, and he immediately moved into filming commercials, TV shows, and web series for popular artists in the region, as well as short documentaries.

    In 2014, Bachar worked as Director of Photography on Yemeniettes, his first feature documentary. The film showcased three Yemeni teenage girls who enter an entrepreneurship competition but along the way encounter the hardships of a country marked by a broken educational system, joblessness, and the threatening presence of Al-Qaeda. The project won several awards, including Best Documentary Award at the High Falls Film Festival in Rochester, NY.

    An avid outdoorsman, Bachar’s love for the Lebanese countryside led him to meet Avedis Kalpaklian, the first Lebanon Mountain Trail Ultra runner, and subsequently Patrick Vaughan. He is the principal cinematographer for Confessions of a Runner, beginning with the race footage from June 2017.

     

    Bachar now lives with his wife and two-year-old son between Beirut and Ottawa. His fluency in three languages (English, Arabic, and French) allows him to meet different people with interesting stories to document.

  • Q&A: Eike Köhler

    Q&A: Eike Köhler

    Eike Köhler directed 2020 WMFF feature “Klarälven: From Source to Sea,” an adventure of three friends hitchhiking to the source of Sweden’s longest river. We asked him a few questions, see our Q&A conversation below:

    What is in your gear bag/kit?

     

    For “Klarälven: From Source to Sea“, my main camera used was a Panasonic GH5 with a Leica 50-200 mm and Sigma 13-35 mm. Also had a DJI Mavic Pro, GoPros and a Sony a6000 in an underwater case. Getting proper sound on water was crucial. Therefor I used waterproof lavalier mics and a Zoom H1 in a waterproof bag.

    Craziest on-set/en route to set adventure?

    We were carrying our kayaks over land, because the whitewater was too crazy. Out of nothing one of the little kayak trailers broke and we found ourself in the woods with heavy kayak – kilometers away from water on a gravel road. After an hour guys from the local rafting company approached with their cars and we put out the thumb for hitchhiking. They were extremely generous and took us to the next town. You can see this in our film.

    More About Eike Köhler

    Born in 1993 in Kiel. From 2014 to 2017 studied media informatics with focus on film at the University of Flensburg. While studying, numerous documentary films, portraying films and short films.
    Currently working for the national television.
    Eike Köhler lives in Kiel and Hamburg, Germany.

  • Q&A: Bronwyn Davies

    Q&A: Bronwyn Davies

    Bronwyn Davies directed 2020 WMFF features “women you wont see on tv”, a short film about the women who won’t go on to the olympics or break any world records, but who enjoy being physically active in their own way. We asked her a few questions, see our Q&A conversation below:

    What is in your gear bag/kit?

    For my short film we shot using a Red Epic-W body with a set of Canon lenses. We also had a Ronin R2 for the buttery smooth tracking shots. That being said, shooting handheld is always a personal favourite of mine since it allows the most freedom in getting a crazy amount of different shots.

    What item can you not live without?

     

    Without a doubt I would not survive a day without my fanny pack on set. It holds extra pens, my shotlist, tape, lens wipes and most importantly: SNACKS! 10/10 would recommend.

    How do you choose music for your films?

    Depends on the budget! In all honesty I’ve had a lot of success with online platforms such as MusicBed but also nothing can compare to creating an original track with a musician. It’s art creating more art!

    Most necessary character-quality for a director?

    A positive attitude. Director’s are the sole leaders of a team and everyone on set looks to them to set the standard for behaviour. If the director is always gloomy, pessimistic, has low morale, etc, so will everyone else on set. Having a positive attitude and a contagious passion can inspire people to always give their best effort and is one of the many ways a director can lead by example.

    Who has been most influential in your directing career?

     

    There’s two answers to that question. Firstly: Lauren Sick & Alma Har’el – everything they touch is gold. Both of them don’t let the constraints of genre influence their narratives and they both have done amazing work showcasing female athletes. Secondly: my team at The Heist. They constantly push me and encourage me to try everything and anything. I wouldn’t be where I am without them.

    Favorite on-set memory?

    Getting to see all the amazing women (who donated their time completely for free!) doing the sports and activities that they love was truly a pleasure to witness. Regardless of if they were World Champions, Ironpeople, a mom of three or a local soccer beer league participant, each and every woman shared an inspiring passion for being active.

    Craziest on-set/en route to set adventure?

    We filmed in 10 locations in one day. If you’re familiar with knowing what it takes to accomplish a company move you know that it doesn’t get much crazier than that!

    More About Bronwyn Davies

    Bronwyn is an up-and-coming Canadian Director currently working at local Vancouver production company, The Heist.

     

    An advocate for women in film, Bronwyn shows her passion for equal representation and new, unique stories in every project she touches. She sees the gap in content and is dedicated to making films that are female driven and spark active change.

  • Q&A: Benjamin Jordan

    Q&A: Benjamin Jordan

    Benjamin Jordan directed 2021 WMFF features  “The Endless Chain” The story of a paraglider pilot pushing his mind and body to the absolute limit during the most daring series of Rocky Mountain flights in history. We asked him a few questions, see our Q&A conversation below:

    What is in your gear bag/kit?

    Sony RX100 M4, Gopro 7, 8, Feiyu Gimbal

    What item can you not live without?

     

    Gimbal

    How do you choose music for your films?

    Either I play it myself, or I grab it from Sound Stripe.

    Most necessary character-quality for a director?

    Creative, Disciplined, Consistent

    Who has been most influential in your directing career?

     

    Werner Herzog

    Favorite on-set memory?

    Any time I fall and happen to have the cameras rolling.

    Craziest on-set/en route to set adventure?

    Getting all of my camera angles rolling, preparing to land on a melting glacier.

    More About Benjamin Jordan:

    Benjamin Jordan grew up in Toronto, Ontario and broke into the world of visual arts through pursuits of fashion and advertising photography. In 2006, Jordan and three friends rode their skateboards across Canada, during which he discovered his passion of producing Adventure Travel Documentaries.

    He remained out West and has since focused all of his energy into partnering with sponsors, to produce documentaries and publicity, through his unique brand of inspirational and philanthropic adventures.

     

    Prior to completing his record-breaking paraglider voyage from Vancouver to Calgary last summer, he was spending time in Malawi, creating the infrastructure needed for the country’s first Paragliding School: The School of Dreams, which opens to the public this year.

  • Q&A: Ryan Wilkes & Harry Seagar

    Q&A: Ryan Wilkes & Harry Seagar

    Ryan Wilkes & Harry Seagar directed 2021 WMFF feature “Fly The Roof”. We asked them a few questions, see our Q&A conversation below:

    What is in your gear bag/kit?

    Our main cameras for “Fly The Roof” were a pair of Panasonic GH5s paired with native Panasonic lenses. One of the cameras was on a Ronin-SC for the majority of our trek. The thing I love most about my kit is how compact it is. Everything fit into one Shimoda Explore 40 bag that I carried for the whole trip. To keep everything charged during our 7-day trek, we used the Goal Zero Nomad 28 and Sherpa 100 AC. Co-director Harry Seagar used a Canon 5D Mark iii and Canon…

    Most necessary character-quality for a director?

     

    Being adaptable is an essential quality for a director. Things will go wrong – it is just a matter of when! Especially when you are shooting a documentary and you aren’t exactly sure how the story is going to play out. Being able to regroup and refocus when conditions are constantly changing is really important.

    Favorite on-set memory?

    On the second day of our trek up Mt Kilimanjaro, all of our guides and porters sang for us in front of one of the most beautiful sunsets I have every witnessed. We were above the clouds and the summit was lit up with orange light. After a hectic few days of travel, this was the moment when I finally felt like I was present on the mountain and could take it all in.

    Craziest on-set/en route to set adventure?

    As we were flying in to Tanzania we were able to see Mt Kilimanjaro from the plane. It was so surreal to see this massive mountain sticking up out of the African savanna and thinking “we are going to be climbing that in 3 days from now, and then trying to paraglide from the top”. The sight of the mountain paired with a breath-taking sunset made for the perfect welcome into Tanzania.

    More About Ryan Wilkes and Harry Seagar

    Ryan Wilkes (CAN) is a videographer and photographer focused on capturing stories about travel, adventure and wildlife. Ryan is a highly sought after Director of Photography known for being able to shoot a full production out of his backpack. www.ryanwilkes.com

     

    Harry Seagar (NZ) is dedicated to raising awareness of environmental and social change through his entrepreneurial production skills. Using his experience within the creative sector to provoke thought and change into the minds of many. www.harryseagar.com

  • Q&A: Antonin Michaud-Soret

    Q&A: Antonin Michaud-Soret

    Antonin Micahud-Soret directed 2021 WMFF feature “Onboard the Transcontinental Race”. The following of an intense bicycle race and the hardships faced. We asked him a few questions, see our Q&A conversation below:

    What is in your gear bag/kit?

    bag : Fstopgear shuka or Sinh . filming with Sony FS7mk2

    What item can you not live without?

     

    my bicycle

    How do you choose music for your films?

    It is a lot of work. most of the time, I get in touch with various artist, and ask them if they could re-work or work on some special song in their own style. But also, we’re doing a huge work of sound design, very discrete to highlight the footage and the audience experience even more !

    Most necessary character-quality for a director?

    dreamer, but also you need to be able to get amazing people around you to support you in your creativity.

    Who has been most influential in your directing career?

     

    Fred Mons, Sport photographer at L’équipe magazine, he was the first to trust my vision and my work, when I was a young sport photographer at first.

    Favorite on-set memory?

    working on a huge budget serie for Redbull, doing all the aerial cinematography with a Red Dragon. I flew over all the most incredible touristic place of south eat asia, with my paramotor. very demanding experience, very technical, but the beauty of the footage was amazing.

    Craziest on-set/en route to set adventure?

    definitely the Transcontinental race. it was a race into the race for us ( james Robertson official photographer of the race and me). 2 or 3 hour of sleep, 6000km in 15 days, driving and driving again across the balkans roads, meeting incredible cyclist, and people along the road. good food and beers too ;-). the film was shot during 3 years, so we had also time do dive in the balkanik spirit !

    More About Antonin Michaud-Soret

    www.ahstudio.fr

  • Q&A: Elise Lorthiois

    Q&A: Elise Lorthiois

    Elise Lorthiois directed 2020 WMFF features “Silk’s Balance”, the following of 5 women in their intimate adventure, highlining in the middle of the mountains. We asked her a few questions, see our Q&A conversation below:

    What is in your gear bag/kit?

    I shoot with a GH5 and a Mavic pro. I like to have small, light gear with me so I can be anywhere at anytime. It is a great advantage with a micro 4/3 camera, all the lenses are twice smaller, so it fits in my bagpack for a long trek.

    What item can you not live without?

     

    I don’t know, I use all what I have all the time, so I cannot think of one item in particular. I like my dslr fixation on bagpack which is really helpful for example.

    How do you choose music for your films?

    That is the most difficult part personally. It takes me forever. I listen on YouTube and on artist, lots and lots of différents music’s. Until I know more and more what I see for my movie for atmosphere. When I have it, I usually pick 2 or 3 musics and start mixing them in order to have what I want.

    Most necessary character-quality for a director?

    To adapt quickly to any situations.

    Who has been most influential in your directing career?

     

    I think it was to see the short video of “Dalessandri-watchtower of turkey” that made me change the way I see shorts clips on internet. The edits of his movies are insanely creative.

    Favorite on-set memory?

    For this movie : to be suspended above the void with the Mont Blanc watching me, trying to get a steady shot of a foot.

    Craziest on-set/en route to set adventure?

    Once I was working on a film in Kenya about baboons. I had to wake up at 4am truing to catch a dickdick pooping.. And instead I met a baboon in the camp kitchen eating our food. I had to do en eye battle to get rid of him, without laughing of myself.

    More About Elise Lorthiois

     

    Freelance and self-learner, Elise Lorthiois discovered videography by following street artists in Paris. Then, learning the communication’s power of images, she began to edit films for a lot of NGOs, in the idea to make helpful’s videos.
    But useful doesn’t mean inaesthetics, so she also likes from time to time to do more artistics and free projects.

  • Q&A: Alvaro Crespo Garcia

    Q&A: Alvaro Crespo Garcia

    Alvaro Crespo Garcia directed 2021 WMFF features “Water Wears Rock”. The story of a climber who suffers from multiple sclerosis since he was 17 years old. Against his own limitations, his goal is to climb the Naranjo de Bulnes in Asturias, Spain. We asked him a few questions, see our Q&A conversation below:

    What is in your gear bag/kit?

    A Canon and a notebook 🙂

    What item can you not live without?

     

    CAMERA

    How do you choose music for your films?

    I have to first tell where does the emotion rises and falls in the film. And then you need to get emotionally affected by the choice of your music, or the audience won’t be either.

    Most necessary character-quality for a director?

    empathy

    Who has been most influential in your directing career?

     

    Tarantino & Eastwood

    Favorite on-set memory?

    dinner and beer time with all the crew after a long day of work

    Craziest on-set/en route to set adventure?

    having all the crew hiking a huge mountain with all the equipment over 4 hours.

    More About Alvaro Crespo Garcia

    I’m a video producer from Madrid, Spain currently living in New York City.

    I have over 7 years of experience specialized in providing a wide range of production services for film, documentary, short films, corporate material, and television. In addition to my experience, I have a solid education in the field of mass media, motion graphics, lighting, social media, and digital marketing from institutions such as San Pablo – CEU University in Madrid and the School of Visual Arts in New York.

     

    During the last years, I have collaborated with the production of documentaries in Senegal, Alaska, and Madrid. I’ve also had the opportunity to work as a senior producer and video editor overseeing the creation of high-end productions for organizations such as Liquid Works, McKinsey & Company, Renault, Mount Sinai, Natura, HBO Latino and many more. ¨Water Wears Rock¨is my first documentary as a director.